Sleep token gay




It's the Sleep Token equivalent of a fist bump before the show. I remember a Stone Temple Pilots show where Scott Weiland kissed the guitar player on the lips and said something like, "There's nothing wrong with heterosexual male on male kissing.

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I love him, we show affection in this way. Fuck off if it bothers you.". Sleep Token has been dominating the discourse lately, much like The Last of Us. Today, we’re gonna take a peak behind the curtain at the identities of the members. Discover the journey of Leo George Faulkner, known as Vessel, the vocalist of Sleep Token, and explore his unique musical influences.

Lgbt friendly? I'm only now starting to get into sleep token and loving their music and debating going to a concert but asking if anyone knows if its a known safe queer space??? <3 Archived post. New comments cannot be posted and votes cannot be cast. Was on another sleep token concert the following week, idk if he recognized us but he stepped on a speaker, reached out to me and shook my hand. And he gave the girl I had with me a pick (I have it now).

And given how innovation works in culture today, does it even matter if they are? Stereotypes die hard. Thirty years later, the metalhead-as-Neanderthal trope still has plenty of life to it, not least because some metalheads like it that way. Yet it may be that the growing success of one contemporary metal band, Sleep Token, will finally deliver the coup-de-grace to the idea that metal is just one thing.

And not everyone is happy about that. Describing their music is difficult.

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Their sound is so embedded in the visual and mythological context they construct for themselves that it becomes hard to separate out the music from the rest of it. Playing live, the band disguise their identities under masks; they never talk to the audience. They have only done a couple of interviews and, so far, no one has revealed their secret identities, other than that they are based in the UK. Of course, metal bands and others have used masks and make up to disguise themselves before.

But acts like Kiss, Slipknot, Ghost and GWAR were never entirely anonymous; their members conducted interviews and their identities were known, even if their faces sometimes took a few years to see the light of day. Yet the most disconcerting thing about Sleep Token is what happens when Vessel starts to sing. The band certainly make use of the kind of crunchy distorted guitar popularised by Swedish extreme metal band Meshuggah, but it coexists with woozy post-rock stylings.

Debates over authenticity, in metal or any other genre, can be immensely tedious. They recently headlined the Download festival in the UK and regularly play arenas; in time it is perfectly possible that they will be headlining stadiums. While their audience is now extending far beyond metal, metalheads remain their foundational constituency, for now at least. At the same time, metal has also always innovated.

That contradiction leads to endless boundary disputes. Was grunge authentically metal? Was the fusion of metal and hip hop that gave birth to nu metal in the s authentically metal? Since the s there has been a constant rearguard action fought by those who would maintain a vision of metal as a tough, beery, no-nonsense, white masculine art. Given that metal is merely the sum total of what metal does, it is futile to argue whether Sleep Token are authentically metal.

There is a useful conversation to be had about what they tell us about innovation in music today. I suspect that it is this blurring that makes Sleep Token an uncomfortable listen — they force us to question where exactly we are located on the taste continuum, in hierarchies of cultural capital. Rather, their significance is that they refuse to choose between such edginess or domestication.

And authenticity has long ceased to be a helpful standard against which to judge music and musicians. Sleep Token have come to bury this tired old concept, and show us what awaits if we let go of it. Keith Kahn-Harris is a sociologist and writer. ArtReview News artreview. Gerken will take over the role from Darren Walker, who announced his resignation in July last year.

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